The short story, The
Rats in the Walls, reminds me of the novel a Brave New World by Aldous Huxley. The stories differ in significant
ways; such as the fact that Brave New World is set in the distant future
whereas Rats in the Walls takes place in the early to mid nineteen hundreds
with references to the Roman times. The genres of the two stories are
completely polarized, with one being gothic and written as a rejection of the
romantic ideas and the other being a modern text that was written to expose the
flaws of an industrialized society. Despite the vast differences, both involve
the idea of human farming as a practice, though the manner by which the farming
is perceived differs between the two stories. In The Rats in the Walls the remnants of the farming indicate that
humans were raised for consumption by other beings, the farms were located in
the underground world beneath the house and the practice was hidden, as it was
perceived as a Satanist deed at the time of its occurrence. Whereas in Brave New World humans are raised in
hatcheries, in a manner similar to chickens in order to achieve control of
reproduction as a means to create a more perfect society. Thus human farming in
this context was an accepted norm in society. It is interesting that the same
practice can be used to achieve two different intended effects in both a gothic
and a modern story.
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