Elements of the uncanny are apparent throughout Aura. The manner by which the narrator describes
the interactions between Senora and Aura highlight the uncanny nature of their
partnership. Aura is often describes as being almost controlled in a puppet-like
manner by her aunt. Aura’s motions seem lifeless and unplanned which gives the
reader an uneasy feeling of Aura being only an object that seems human. “ …
Aura hasn’t said a word and is eating with a sort of mechanical fatality, as if
she is waiting for some outside impulse before picking up her knife and fork...but
at that moment the Senora become motionless, and at the same moment Aura puts
her knife on her plate and also becomes motionless, and you remember that the Senora
put down her knife only a fraction of a second earlier.”(69). This interaction
is uncanny because it is not apparent whether the aunt is actually in control
of Aura because their motions are not synchronous, but at the same time the
reader is lead to believe that Aura is not in control because she seems to copy
the actions of her aunt with a certain time lag. This uncertainty in the level
of human awareness that Aura possess leaves the reader with an uneasy feeling
that is characteristic of the uncanny.
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