One
thing that struck me about the style of Aura and its "magical
realism" was that the entire story seems to run largely on the
same kind of style and logic experienced in dreams. As was discussed
in class, when the protagonist encounters something bizarre, he often
wonders briefly about it, then calmly goes back to whatever he was
previously doing, which is exactly the kind of thing that I find
happens a lot in dreams. The second-person narration also contributes
to this effect, so that the reader is given the impression of having
a strange dream about being a guy called Felipe Montero. The dream
motif is also expressed more directly when Montero explicitly dreams
(dreams within dreams?) about things that seem to blend into his
“waking” life, suggesting that there's not much separation between his dreams and his life. I'm not sure how much of this is intentional, but
the effect seems quite pronounced to me regardless.
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