While reading “The Word for World is Forest,” one of the
first things I noticed that was that there were clearly two different societies
within the book. In the Yumen society there is a clear distinction of the
inequality between the men and the women within the society. The men were seen
as the dominant figures, as they ruled and made all the decisions for their
kind, whereas the women were seen as mere tools for reproduction and sexual
desires. However, if when we read about the Ashshean society we notice that there
appears to be equality among both men and women. The men were seen making
decisions, while the women took leadership and ruled over their villages. This
causes me to wonder if the point behind this display of gender roles was Ursula
Le Guin’s way of pointing out the inequality among society and the ideal
society that we should be aiming for.
Wednesday, May 1, 2013
Ecological Warnings in The Word for World is Forest
The novel, The Word for World is Forest is a satire on Earth
as a whole and the dire ecological impacts that industrialization can have on
Earth. Throughout the novel, this horrific dystopian vision of Earth is noted
as “the norm.” Earth is regarded as a post industrial desert, and try to
takeover the Ashtheans’ world. Le Guin draws parallels between the two worlds,
and the yemens and the Ashtheans with the quote, “Blood, the same startling red
as human blood” (Le Guin 30). She draws the attention of the reader to the
horrible condition of the Earth, and that they are also trying to do the same
things to the Ashthean world. Le Guin writes this novel as a warning to people,
and how they need to have a careful treatment of our world, or risk the
potential consequences that will come.
The Word for World is Forest(Blog #4)
While reading The Word for World is Forest, I noticed that the two societies within the novel contrasted drastically. The Yumen and Athshean societies were basically opposite from one another. In addition, what I want to note on is how the term science fiction correlates with the contrasting societies as well as identifying the differences between them. Science fiction tends to have this futuristic setting with some aspect of reality that relates with humans in an uncomfortable way. When reading Sci-fi novels such as this one, readers begin to question what exactly is human and what is foreign. The "creechies" as Davidson calls them seem to be far from human, considering that they are only one meter tall and have green fur. Yet in retrospect, they are actually quite close to human beings themselves. This brings about the differences between the two societies. Athsheans primarily live their lives as passive – they know nothing of warfare and revolt. While Yumens or humans, come from a world of war, fighting, and resistance. Gender roles are also different in the novel. In the Yumen society, men ruled and made decisions, and used women primarily for sexual desires and reproduction. In the Athshean society, gender roles were more equal – the men made decisions and the women carried out the decisions in villages. Maybe what Le Guin was trying to poke at was the gender issues during her time.
The Word for World is Forest
It is very obvious when looking at the cover of this story, not even having to open the book, that Ursula K. Le Guin intended to make a very bold statement about humanity and the effect we have on the rest of the universe.
At first I was very lost when reading this book because Le Guin creates such a vivid new world and the process of understanding all the new, hybrid terms was daunting. Once I got the gist of her new idea of the universe, it became more apparent that Le Guin had no intention of just creating a new fantastic world for us to enjoy, but instead wanted to illuminate that humans have an incredible power to destroy beautiful living things without any regard.
I thought her most powerful message resided in the characters and how they were constructed. Davidson is very obviously representative of the worst, most evil traits of humanity and, as we see in the story, evil causes the most damage. Selver is a halfway point between good and evil. He also represents innocence spoiled by human interference and disregard. Lyubov represents and innocence and caring that humans can posses but is often thrown aside just as he is in the story.
"Lyubov will be here," Selver said. "And Davidson will be here. Both of them. Maybe after I die people will be as they were before I was born, and before you came. But I do not think they will."
This quote is one of the best in the book. It represents the effects that humans and a lack of respect can have and will forever have.
Super-Frog Saves Tokyo
Haruki Murakami is well known for his use of magical realism
within his stories. One such story was “Super-Frog Saves Tokyo,” a story about
a man who meets a giant, talking humanoid frog that seeks his help in
preventing a catastrophic earthquake by defeating Worm, the source of the
earthquake. One of the standout characteristics of magical realism is that
stories are usually told or narrated from a dream-like state. This is very much
the case in “Super-Frog Saves Tokyo,” in which at one point Katagiri is to meet
with Frog before their fight with Worm, and at another Katagiri wakes up in a
hospital bed, having been shot. Frog visits Katagiri in the hospital, saying
Katagiri was of much help and that their fight with Worm was over and they
succeeded. Frog then proceeds to decay and melt as bugs start coming out of his
body, giving the impression that Frog dies. The story jumps to Katagiri being
woken up by the nurse, who says that Katagiri was having a nightmare. At this
point, readers are unsure of whether or not Frog was actually there, or if Frog
was a figment of Katagiri’s psyche or imagination. Was Frog real, or was Frog a
manifestation or symbol of some sort that is supposed to mean something to
Katagiri? With this in mind, is Frog’s supposed “death” symbolic in any way for
either Katagiri or the story in general?
The Word for World is Forest:
There are many points of satirization in this novel, but the point I want to focus on is the satirizing of inhumanity and murder. As part of their culture and beliefs, the Athsheans take no part in violence and killing - that is, until the increasing threats against their home leave them no other choice than to participate in violent retaliation. Selver is considered a god, in the sense that he introduced them to a new way of life. "And the translator is the god. Selver had brought a new word into the language of his people. He had done a new deed. The word, the deed, the murder. Only a god could lead so great a newcomer as Death across the bridge between the worlds" (page 124). After the big massacre of the yumens, Selver keeps saying "The killing is done, no more killing." What he doesn't understand is that once you cross that threshold, once you have committed murder, there is no going back. There is no cleansing of your soul and no return to the nonviolent, peaceful culture. Lepennon tells Selver this at the end of the novel, "Maybe after I die people will be as they were before I was born, and before you came. But I do not think they will" (page 189). The darkening of one's heart as a result of the greatest wrong that could be committed, murder, cannot be undone, and once a society has been introduced to killing, there is no chance that it will go back to a culture of nonviolence. Selver even explains, "When he has done this, it is done. You cannot take things that exist in the world and try to drive them back into the dream, to hold them inside the dream, with walls and pretenses" (page. 189). The Athsheans are forever altered, they will never be able to return to their peaceful, untainted culture as was before the yumens came, even after the last of the yumens have left; this is because it was they that committed the murder, that killed, regardless of the yumens.
The World for World is Forest as Science Fiction
In The Word
for World is Forest, the concept of the uncanny valley is relevant in the
interaction between the Yumen and the Athsheans. “And finally there was the
inevitable Freak Reaction, the flinching away from what is human but does not
quite look so”(114). An aspect of
science fiction is the uncanny valley applied to a more broad range. In science fiction there is always as aspect
of a reality, being, or concept that is in relation to our human ideology that
is taken and placed into a questioning position that creates this feeling of
discomfort. When something appears so
separate from human life; however, in actuality it may be extremely similar
that causes the uncanny valley in science fiction. It is the transplanting of an idea that seems
so out of reach; yet, it is actually a possibility which makes us question what
being human is. In this novel the idea
that the Athsheans can be so similar to the Yumens or humans causes the
hostility and discomfort because the Athsheans seem so foreign. In actuality,
the Athsheans are closer to being human than many of the Yumens and may have
surpassed them in humanity by subsisting with a pacifist nature. The Athsheans are
more human than the humans causing them to be remote and unidentifiable to the
Yumens placing them in the uncanny valley.
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